The Marketplace of Religions (“Franklyn”, 2008)
Masked vigilante/private investigator Jonathan Preest, the last atheist in Meanwhile City, prowls a literal Marketplace of Religions in this scene from the flawed but fascinating 2008 movie Franklyn.
Masked vigilante/private investigator Jonathan Preest, the last atheist in Meanwhile City, prowls a literal Marketplace of Religions in this scene from the flawed but fascinating 2008 movie Franklyn.
Wendy Syfret writes for Psyche on the positive nihilist perspective: Key points – How to be a happy nihilist The rise of meaningless meaning. The search for meaning used to be a noble pursuit, but it’s become commercialised and now inspires more angst than awe. Nihilism as a solution. This is the philosophy that says life is meaningless. Handled with care, it … Read more“How to be a happy nihilist”
Existential wisdom from Jamie Wheal, the author of Recapture the Rapture: Rethinking God, Sex and Death In a World That’s Lost Its Mind.
Art critic Amanda Hess writes for the New York Times on the phenomenon of themed pop-up “museums”, “mansions” and “laboratories” that function mostly as Instagram selfie backdrops: The central disappointment of these spaces is not that they are so narcissistic, but rather that they seem to have such a low view of the people who visit them. Observing … Read more“The Existential Void of the Pop-Up ‘Experience’”
Worker THX-1138 confesses to the prophet OMM in this scene from George Lucas’s 1971 dystopian science fiction movie THX-1138. The Amazen Kiosk, a very widely lampooned 2021 publicity stunt mental health initiative from Amazon.com, Inc.
Ed Simon writes for Aeon on the subject of Paganism:
Gore Vidal’s 1954 dystopian satire Messiah is the story of a religious movement that forms around a charismatic undertaker named John Cave. Cave’s central message is, simply and profoundly, that people should not be afraid of death; not because they could look forward to an afterlife of eternal bliss in paradise, but rather because oblivion means an … Read moreCavesword: A Nontheistic Religion of Radical Death Acceptance in Gore Vidal’s “Messiah”
Any readers intrigued by the mostly inchoate phenomenon that I optimistically refer to as Poetic Faith – the notion and practice of creating one’s own religion, as a work of art – should track down Alan Moore’s story Grandeur & Monstrosity, which appears in the graphic narrative anthology “God is Dead: the Book of Acts; Alpha” … Read moreAlan Moore’s “Grandeur & Monstrosity”
I’m reading Carole Cusack’s excellent Invented Religions: Imagination, Fiction and Faith and am delighted to have discovered the Hot Tub Mystery Religion, intriguingly described in this 2003 Reason.com article by Jesse Walker: Atheists have long regarded religion as, at best, a collective work of art, but in the last century that view has grown popular with churchgoers as … Read more“Inside the Spiritual Jacuzzi”
In 2017, Burning Man’s theme was “Radical Ritual,” and the Burning Man Philosophical Center project produced a series of essays and interviews exploring the place of ritual in modern society. Here’s a section from Larry Harvey’s introductory essay: Is Burning Man a Religion? “The practical needs and experiences of religion seem to me sufficiently met by … Read moreThe “Radical Ritual” Series