We are Cultpunks. We affirm that belief systems, rituals, symbols, pilgrimages, tenets, holy days, shrines, festivals, taboos, mythologies and pantheons can and should be created as works of art. If so, then surely any sufficiently advanced magic is likewise indistinguishable from technology, and religions may usefully be considered as psychological technologies. Just like any other tech, … Read moreRead this first: “A Cultpunk Manifesto”
A fascinating, comprehensive and beautifully illustrated account of the life and work of John Hargrave, founder of the Kibbo Kift Kindred and later among the chief protagonists of the Social Credit movement in England. Exemplifying the virtues and limitations of the early 20th century “self-taught man”, Hargrave was accomplished in a variety of fields and … Read more“Designing Utopia: John Hargrave and the Kibbo Kift” by Cathy Ross and Oliver Bennett
Veteran Burning Man philosopher Caveat Magister wrote this memoir/manifesto/manual for would-be psychomagicians, most especially those inspired (more or less directly) by the often clandestine workings of San Francisco’s underground experiential arts scene between the late ’70s and circa 2015. If you’re intrigued by Gary Warne’s Suicide Club, the Cacophony Society, the origins of Burning Man, … Read more“Turn Your Life into Art: Lessons in Psychomagic from the San Francisco Underground”
The Last of Us, Part 2 is a brutal, epic video game experience, set in a post-apocalyptic America devastated by a fungal infection that transforms humans into monsters. Death runs rampant throughout the grueling game-play, both as inflicted by and upon many of the characters and in terms of motivating a seemingly endless cycle of vengeance. … Read moreA Seraphite Shrine from “The Last of Us, Part 2”
I was delighted to stumble across this ritual firefly procession in honor of the Twilight King during my evening walk last night. The event was arranged and performed by a troupe called The Art of Spontaneous Spectacle, which has been organized by local actors and directors unable to ply their craft in orthodox venues due to … Read moreThe Art of Spontaneous Spectacle
Introducing the Society for Ritual Arts: Our mission is to support the ritual arts community through the advancement of arts and scholarly research in the fields of spirituality, consciousness, healing, performance, and visual media. We support work that advances freedom of spiritual practices globally, the scientific study of spirituality and the human brain, and beauty in … Read moreThe Society for Ritual Arts
The NSoW creates transformational experiences of meaning: In 2015, Barbara Groth founded the Nomadic School of Wonder, “adventures in awe” rooted in nature, art, community, and play. Each Nomadic School of Wonder experience is site specific and explores a theme through the senses. Barbara leads a traveling troupe of artists, experience designers and adventurers to … Read moreThe Nomadic School of Wonder
The School of Life offers insight into the history, meaning and value of ceremonialism, concluding that a sane and kind future will require the creation of new rituals.
Francesca Gino and Michael I. Norton wrote this 2013 essay for the Scientific American on the benefits of ritual from a psychological perspective: Rituals in the face of losses such as the death of a loved one or the end of a relationship (or loss of limb from shark bite) are ubiquitous. There is such a wide variety … Read more“Why Rituals Work”
One of several distinctly English responses to the Dia de Muertos ethos – see also the Glastonbury Festival of Death and Dying – the Toxteth Day of the Dead is an initiative by musicians/culture jammers KLF (a.k.a. the Justified Ancients of Mu Mu, the JAMs and the Timelords, among others). Here’s a BBC audio documentary on their current project, the People’s … Read moreThe Toxteth Day of the Dead