A trailer for the 2017 documentary American Jedi, which is available to stream via various platforms. Here’s an in-depth interview with Jedi Knight and Deacon Alex Bird, explaining his devotion to the philosophy/quasi-religion of Jediism: But your myth doesn’t reach back to any time that’s actually real. That’s true. I mean that it has to speak … Read more“American Jedi”
A video trailer for a sadly unrealized movie adaptation of Starhawk’s 1993 science fiction novel The Fifth Sacred Thing. The religions of ecotopian Califia (as San Francisco and parts of the Pacific Northwest have been renamed in the story) are mostly projections of contemporary Paganism, contrasted with the ultra-fundamentalist version of Christianity enforced by the … Read moreThe Fifth Sacred Thing
The Last of Us, Part 2 is a brutal, epic video game experience, set in a post-apocalyptic America devastated by a fungal infection that transforms humans into monsters. Death runs rampant throughout the grueling game-play, both as inflicted by and upon many of the characters and in terms of motivating a seemingly endless cycle of vengeance. … Read moreA Seraphite Shrine from “The Last of Us, Part 2”
Masked vigilante/private investigator Jonathan Preest, the last atheist in Meanwhile City, prowls a literal Marketplace of Religions in this scene from the flawed but fascinating 2008 movie Franklyn.
Worker THX-1138 confesses to the prophet OMM in this scene from George Lucas’s 1971 dystopian science fiction movie THX-1138. The Amazen Kiosk, a very widely lampooned 2021 publicity stunt mental health initiative from Amazon.com, Inc.
Gore Vidal’s 1954 dystopian satire Messiah is the story of a religious movement that forms around a charismatic undertaker named John Cave. Cave’s central message is, simply and profoundly, that people should not be afraid of death; not because they could look forward to an afterlife of eternal bliss in paradise, but rather because oblivion means an … Read moreCavesword: A Nontheistic Religion of Radical Death Acceptance in Gore Vidal’s “Messiah”