Cultpunk Sad to learn of the recent passing of Steve Aydt, a longtime fixture, mover and shaker in the Texan counterculture scene and founder of the Eulessyinian Hot Tub Mystery Religion. I interviewed Steve on that subject in late 2024, and that interview is part of the second volume of the anthology Poetic Faiths: New Religions … Read moreIn Memoriam: Steve Aydt (1963-2026)
Just returned from our much-anticipated, at-least-annual visit to the Sky Meadow Retreat in Vermont’s Northeastern Kingdom mountains. The Sky Meadow property was first developed as a working farm in the 1850s, later became derelict, was rehabilitated and transformed into a spiritual/nature retreat in the 1980s and sustains a more recent ambition to serve as the … Read moreSky Meadow 2026
Excerpts from John Cowper Powys’ essay: To regard religion as mythology does not make it less important. It gives it a new and lovely glamour. It restores to it the enchantment which it possessed at the beginning when its dogmas had not yet lost their natural poetry in the laboratory of theological speculation. No cultivation … Read more“The Religion of a Sceptic” (John Cowper Powys, 1925)
Isabelle Gerretsen writes for the BBC: At the start of the Odyssey, the epic poem’s war-weary protagonist finds himself trapped on a remote island by the goddess Calypso. She promises Odysseus immortality and eternal youth if he chooses to stay with her. But after 10 years of waging war against the Trojans alongside other Greek heroes, Odysseus … Read more“For 1,000 years, a cult worshipped the hero of the Odyssey”
In Zilpha Keatley Snyder’s The Egypt Game (1967), a group of children transforms a hidden yard into an improvised sacred world inspired by ancient Egypt. They invent names, costumes, gods, ceremonies, initiations, sacrifices, funerary rites and an oracle, gradually developing a shared mythology that feels consequential without requiring literal belief. As an example of cultpunk … Read moreThe Egypt Game
Coincident with the recent Metamodern Meaning Lab at Sky Meadow, Brendan Graham Dempsey interviewed [M] Dudeck and Javi Acevedo on their upcoming book Xenotheology: The Transmedial Scriptures and on the practice of creating one’s own religion as a work of art.
Alexander Dillabaugh writes on the spiritual neuroscience of the rave scene: For these adherents, underground dance culture functions as a kind of spiritual technology. That is, a set of environmental and social conditions that reliably produce the kinds of experiences that humans have long called sacred. Viewed through this lens, rave culture appears less like a … Read more“Why raves are such a reliable source of spiritual experience”
The inimitable M. Dudeck on This Podcast is a Ritual, discussing Xenotheology and the intimate relationships between imagination and spirituality.